As
the next few weeks went on, the story of The
Tiger’s Bride became more evident in our performance. Scenes evolved from
the previous material, i.e. songs, dance routines, gestures we had devised. An
overall structure looked like this:
VC2908 Performance Project
SCORE
Step 1:
Everyone goes around the piano
Step 2:
Everyone speaks in rhubarb
Step 3:
3 movers around the piano that alternate places, 4 positions – each moves at
separate times, one after the other; the last of which comes after the second
position
Step 4:
Boys introduce bass
Step 5:
Gestures explaining the story, i.e. “day”, “father”, “daughter”
Step 6:
Introduce Marin and Aleksi as Daughter and Father and partner work in centre of
stage.
Step 7:
Chorus move in huddle around the round eventually forming big group
Step 8:
Laura moves the chair to centre, Aleksi begins father work ‘karmodabill’
Step 9:
Choral work in the corner beside Aleksi, i.e. “lonely”, “father”, “family”,
“love”
Step 10:
Chorus move around Aleksi copying his gestures, chair gets moved to corner and
table gets moved for gambling
Step 11:
Boys follow Aleksi, girls put Marin to sleep on chair with gestures, i.e. “night”,
“dream”, “Sleep” “gambling”
Step 12:
Boys starts gambling, Lindsey runs interacts with gambling telling the girls –
build up tension/noises around scene
Step 13:
Daughter wakes up after the girls use a heightened version of the word
“gambling”
Step 14:
Eee-eeeeh…….. girls come into semi –
circle around gambling scene, Daughter looks in from afar
Step 15:
Pause, intake of breath into breathing beats of ‘Dash Boq’
Step 16: This
leads into mutation of gambling scene – Build-up of sounds (George)
Step 17:
Manipulation of the relationship between father and daughter – ‘gillom, gillom’ – lift Marin, chorus
drop her infront of David and disperse
Step 18:
Aleksi come on as servant in shirt, Aleksi’s monologue as chorus repeat his
gestures moving to piano
Step 19: Chorus
quietly hum waltz song as they watch the scene with Marin, David and Aleksi
unfolds
Step 18:
Everyone morphs into animals
Step 19:
‘Island’ song, (‘sweat dreams’)
Step 20:
Neutrality sifting into the clockwork line, line breaks off in individual
sections, Aleski struggling to maintain control
Step 21:
Beast and the girl (moment of silence) “reveal”
Step 22:
Waltz singing
Step 23:
‘Coming of Age’ – dance – Gabi’s
motif accompanied by chords
Step 24:
Move Marin to chair, falls asleep. Chorus scatter/ depart
Step 25:
Marin awakes, with Aleksi by her side – Father/daughter moment
Step 26:
Chorus come and join, massive reprise of sweet dreams as a choral family (bows)
FIN
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